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East Asian Studies Courses
EAST 490 East Asia In and Beyond the Media
Intended as a capstone to the East Asian Studies major, the senior seminar will offer focused interdisciplinary discussions on a variety of issues in contemporary East Asia, with particular attention to media representations of these issues and the region more generally. Specific topics will change from year to year and will be selected in consultations between the instructor and enrolled students. It is also designed to support seniors during the SIP process. Required of East Asian Studies majors; open to non-majors with instructor permission.
Chinese Language and Culture
CHIN101Beginning Chinese I This course is an introduction to the Chinese language. Pronunciation system, basic vocabulary, written script, fundamental grammatical structures, as well as some cultural background of the language will be studied. The goal of this course is to set a good foundation for making Chinese a functional language for the students. Students are asked to follow three principles: (1) make Chinese a part of daily life, (2) use Chinese actively in class and outside of class, and (3) be creative in finding ideas for using the Chinese language.
CHIN102Beginning Chinese II This course follows Beginning Chinese I. All four skills -- listening, speaking, reading, and writing -- are equally emphasized. By the end of this course, students are expected to understand simple questions and answers, to be able to ask and respond to simple questions, to understand simple statements, and to be able to participate in simple conversations on a few familiar topics. Students will also be expected to read and write simple notes, meaningful sentences, and short passages constructed with basic grammatical patterns.Prerequisite: CHIN-101. CHIN-102L must be taken concurrently.
CHIN103Beginning Chinese III A continuation of Beginning Chinese II, this course further consolidates the essential skills in reading, writing, listening to, and speaking Chinese. The goals are to increase vocabulary, to form a clear understanding of the language through knowledge of the meaning of words and structures, and to advance the ability of students to express themselves in the language accurately and properly on some selected topics.Prerequisite: CHIN-102; CHIN-103L must be taken concurrently
CHIN201Intermediate Chinese I This course follows CHIN 103 and starts the Intermediate Chinese language sequence. It will create an authentic language environment for the students and help make learning Chinese an interesting experience. The students will develop their fundamental language skills with a balanced emphasis on listening, speaking, reading, and writing. A communicative approach will be adopted, and accuracy will be emphasized at the same time. Culture will be brought into the classroom through songs, poems, and so on. Short cultural talks related to course material will be given.Prerequisite: CHIN-103; CHIN-201L must be taken concurrently
CHIN202Intermediate Chinese II This course follows CHIN 201, Intermediate Chinese I, and emphasizes interactive skills. More authentic materials will be used, and more topics and situations concerning contemporary Chinese society will be introduced. Class activities include visiting local Chinese communities and interviewing native speakers of Chinese language.Prerequisite: CHIN-201; CHIN-202L must be taken concurrently
CHIN203Intermediate Chinese III The course concludes the Intermediate Chinese sequence. Students should be prepared for exposure to various spoken and written styles of Chinese and for a steady expansion of their vocabulary. After completing three quarters of Intermediate Chinese, students will have gained a solid foundation in Chinese grammar and vocabulary and have developed good strategies for effective reading and listening comprehension. In addition, students will have acquired further confidence in their ability to speak Chinese.Prerequisite: CHIN-202; CHIN-203L must be taken concurrently
CHIN22220th-Century Urban China This course interrogates literary and cinematic representations of Chinese cities in the twentieth century. By examining urban narrative in Chinese fiction, drama, poetry and film from the Republican and People's Republic periods, this class offers a new understanding of Chinese modernity as marked by its unique urban sensibilities and configurations.
CHIN225Traditional Chinese Literature in Translation This course examines the relationship between the individual and society in traditional Chinese literature. We will read a wide selection of important texts from China's long history, including the Classic of Poetry, early assassin narratives, medieval nature poetry and romantic tales, vernacular stories, urban drama, and novels from the late imperial period. Among the more important questions that we will investigate is the complex role that Chinese literature played in articulating the place of the individual vis-à-vis the community and state.
CHIN235Modern Chinese Literature in Translation This course will examine the literary world of modern China by closely analyzing representative stories and novels written during the 20th century. As will quickly become clear in the course, literature in modern China has had and continues to have a close relationship with politics as well as with a wide variety of discussions on cultural identity in post-traditional China. Among the main goals of the course will be to explore how literature comes to grips with a thoroughgoing crisis of an established culture that results in a series of consequences unprecedented in Chinese history. Above all, the course will seek to understand how and why literature has played the role that it has, and what implications for the meaning of literature can be determined from examining the relationship between writing and society in modern China.
CHIN245Chinese Film This course examines the cinematic traditions of China, Taiwan, and Hong Kong in light of such topics as: the foundational legends of Chinese cinema, the relationship between film and politics, representations of historical crisis (e.g., the February 28 Incident (1947), the Great Proletarian Cultural Revolution (1966-76), and the British handover of Hong Kong (1997)), revolutionary aesthetics, and "spectacular" violence. The overarching question we will explore is: How do Chinese films create the spectacle of "China," narrate its history, and represent its diverse cultural landscapes both at home and abroad?
CHIN260Women in China As in many countries subject to imperialism, women's movements in China were an important part of China's modernization project. How, then, have Chinese feminist theories and women's movements been different from those in the West? What is it like to live as a woman in a rapidly changing China through the 20th and 21st centuries? This course takes three approaches to explore these questions. To examine the characteristics and changes of gender roles we look at the representations of women in literature and film. To understand women's experiences we read women writers' essays, memoirs and fictions. To think about how women work as historical agents who make historical changes, we look at women activists, feminist thinkers and women's movements.
CHIN295Reading of Chinese Poetry This course provides students with an opportunity to read, discuss, and enjoy Chinese poetry. All readings are in English translation. While the primary focus is on close reading of poetic texts, students will be analyzing poetry from scholarly perspectives, writing research papers of poetic studies, and composing their own poems. Students will also acquire knowledge on the history of Chinese poetry and poetics from the beginnings to the eighteen century. This course may be of the interest of East Asian Studies majors, students who want to learn about Chinese culture, and those who are interested in poetry in general.
CHIN295/SEMN 293Memory in Chinese Lit, Art, & Beyond This course surveys the theme of memory in Chinese culture. By surveying pre-modern and modern Chinese literature, art, and beyond, students will observe how remembrance of the past has played significant roles in Chinese cultural history. While showing that the past has always played powerful roles in Chinese civilization, the seminar will also urge students to reflect on their own cultures by understanding that both private memories and cultural artifacts have been an inescapable part of the present: they offer models for present behaviors, and at the same time also recall what has been lost.
CHIN295The Past in Contemporary China This course investigates the dynamic role that China's contested cultural past plays in reshaping Chinese views of the contemporary world. Modern China's "more than five-thousand-year history"-a phrase thrown around unreflectively in China today-belies the diversity of people, customs, group identities, and cultural values that has contributed to the foundation on which the modern Chinese nation-state was built. Yet that complex past is often used to negotiate ideas of what constitutes Chinese cultural identity today. By exploring modern and contemporary essays, prose fiction, poetry, film, and television dramas that directly engage questions of how China's past is relevant to the present, together we will examine various ways in which ethnic, cultural, religious, and gender identities are reconfigured through claims about Chinese cultural heritage. Course is taught in English - no knowledge of Chinese language necessary.
CHIN295The Fantastic Chinese Lit Why do people value stories they know to be untrue? What role does the extraordinary play in human society? How should we (or should we?) make sense of stories about ghosts, mythical beasts, divine heroines, dream travel, and vengeful rocks? In this course we will investigate the fascinating world of stories about "strange things" in Chinese literature (in English translation). Classical Chinese literature, as is often noted, lacks a category that perfectly matches our modern category of "fiction." Premodern Chinese authors instead were fascinated with the categories of the "strange," "extraordinary," and "fantastic," which gave rise to a complex range of literary genres and styles. Together we will explore several examples of the Chinese fascination with "strange things"-including mythological accounts, song lyrics, records of anomalies, tales of fox spirits, dream novels, modern Chinese science fiction, and more. Please note that this course is taught entirely in English, and all readings will be in English. This is not a Chinese language course.
CHIN300Advanced Chinese This course is a continuation of the Intermediate Chinese language sequence. The objective is to make a transition from textbook Chinese to real-life communication situations. For this purpose, the course surveys materials including texts from literature, the social sciences and cultural history, and students will be exposed to a wide variety of written and spoken styles of Chinese. Some of the materials selected are original publications drawn from books, magazines and newspapers. The opportunity to work directly with lively, authentic materials will be valuable for studying Chinese language, literature, society and culture. This course focuses on content and style with extensive discussion and frequent written assignments in Chinese. It will consolidate what the students have learned in the past and help them develop better reading and writing skills. In addition, the improvement of speaking and listening abilities will also be emphasized. This course may be tailored to the needs of the participants and may be taken for credit up to three times.Prerequisite: CHIN-203
CHIN593Senior Individualized Project Each program or department sets its own requirements for Senior Individualized Projects done in that department, including the range of acceptable projects, the required background of students doing projects, the format of the SIP, and the expected scope and depth of projects. See the Kalamazoo Curriculum -> Senior Individualized Project section of the Academic Catalog for more details.Prerequisite: Permission of department and SIP supervisor required.
Japanese Language and Culture
JAPN101Beginning Japanese I Introductory course; basic grammar and vocabulary; emphasis on listening and oral foundations; hiragana and katakana and an introduction to kanji. Students are encouraged to begin this course sequence in their first year in order to complete the three-quarter sequence (JAPN 101, 102, 103) required for study abroad, as well as the second year sequence (JAPN 201, 202, 203) before study abroad.
JAPN102Beginning Japanese II Further introduction to basic grammar and vocabulary; development of fundamental reading and writing skills using hiragana, katakana, and approximately 50 kanji. Prerequisite: JAPN-101; Must take JAPN-102L concurrently
JAPN103Beginning Japanese III Reinforcement of basic listening and development of oral and aural competency; further achievement of reading and writing skills using the kana and approximately 100 kanji. Prerequisite: JAPN-102 or equivalent placement; JAPN-103L must be taken concurrently
JAPN201Intermediate Japanese I Further work in conversation, oral interpretation, and elementary composition using approximately 200 kanji; study of idioms fundamental to an active use of spoken and written Japanese.Prerequisite: JAPN-103 or equivalent placement; JAPN-201L must be taken concurrently
JAPN202Intermediate Japanese II Further refinement in areas studied in JAPN 201.Prerequisite: JAPN 201; JAPN-202L must be taken concurrently
JAPN203Intermediate Japanese III Further refinement in areas studied in JAPN 202.Prerequisite: JAPN-202 or equivalent placement; JAPN-203L must be taken concurrently
JAPN236Pre-Modern Japanese Literature The ghoulish, the monstrous, and the supernatural are staples of familiar Japanese culture like anime, manga, and J-horror but these themes have roots in Japan as old as the written word. This course explores pre-20th century Japanese literature, drama (including noh and kabuki theater), folklore, and visual culture to examine the vengeful ghosts, witches, wizards, fantastic beasts, and ambulatory tea kettles of the premodern Japanese imagination. No knowledge of Japanese language is required.
JAPN237Japanese Literature in Translation: Tokugawa (Early Modern) The Tokugawa period in Japan spanned roughly two hundred fifty years (1603-1867). The central ideology of the state was a combination of Confucianism, a philosophy imported from China, which stressed hierarchical social relationships, loyalty, and honor. With a few exceptions, however, the Tokugawa period was one of peace in which the skills of a warrior were seldom called upon. It saw the urbanization of a number of major cities in Japan, chief among them Edo, Osaka, and Sakai, and along with that urbanization the growth of a money-based economy and an urban, commoner culture. Much of the literature discloses these twin spirits and their conflict. In this course our readings will focus on several genres and authors: the plays of Chikamatsu Monzaemon, the prose works of Ihara Saikaku, and the poetry of Bashô.
JAPN238Post-War Japanese Literature in Translation This course surveys important Japanese writers of the post-World War II era, with special attention to the profound transformations that followed the dissolution of the Japanese Empire in 1945. In the immediate postwar period the physical map of "Japan" shrank dramatically, and a national imagination that had for decades ranged across the plains of Manchuria and far into South Asia collapsed in on itself. This course investigates the ways in which prominent writers (and a few filmmakers) confronted this collapse and everything it implied, from a tentative renegotiation of Japan's place in the world (largely via its relationship with the United States), to a rapidly urbanizing society's relationship to its own hinterlands. Authors covered include Dazai Osamu, Abe Kobo, Murakami Ryu, Tawada Yoko, and Furukawa Hideo. All readings, lectures, and discussions in English.
JAPN239Modern Japanese Literature in Translation This course will examine a number of Japanese authors, from the late 19th century through the early 20th century, who have addressed the cultural and psychic disease that resulted from Japan's encounter with the West and transformation of Japan into a modern, nationalistic state. Authors read will include: Natsume Soseki, Mori Ogai, Higuchi Ichiyo, and Tanzaki Jun'ichiro.
JAPN240Japanese Culture through Film From animation to the avant-garde, this course treads the border lines of Japanese film. Students will interrogate both the concept of "national cinema" and the familiar conventions of narrative film through analysis of films that cross international borders as often as they defy formal conventions. The course calls attention to the work of underrepresented demographics within Japanese film, including women (Kawase Naomi) and ethnic Koreans living in Japan (Yang Yong-hi). Animated films include Miyazaki Hayao's Nausicaä of the Valley of the Wind and Momotaro and the Divine Sea Warriors, the first full length Japanese animation feature. Documentaries examine topics ranging from war crimes to Japanese professional wrestling. No knowledge of Japanese language is required.
JAPN245Japanese Language in Society This course explores several major aspects of language use associated with Japanese culture and society. The course aims not only at familiarizing students with various aspects of Japanese language with reference to culture and society, but also their developing an appreciation for a different culture. When discussing the inherent inter-relationship between language and culture, including the beliefs, values, and social organization, we will focus on the ideas of power, hierarchy, gender, and history. No previous knowledge of Japanese or linguistics is assumed or required. Readings, lectures, and discussion are all in English.
JAPN250Manga/Anime and Gender in Modern Japan Why are manga/anime so popular? Let's find out. This course undertakes a critical analysis of manga (comics) and anime (animation). We will examine these media's historical origins, narrative features, the world's reception and much more. The samurai warrior, the bishônen (beautiful boy), and the sexy cyborg-gender in Japanese culture has vivid representations. This course explores constructions of masculinity and femininity, paying attention to the figures of the girl as the postwar descendant of the bishônen, the ostensibly undersocialized otaku and yaoi culture and transgender manga where imagination opens the door to alternate and critical realities.
JAPN295Visions of Utopia, Dystopia, and Apocaly From anarchism to Akira, from Buddhism to the bomb, modern Japanese culture has continually produced visions of a world perfected through its own utter devastation. This class explores visions of utopia, dystopia, and apocalypse that reveal volumes about the societies from which they arise, even as they point to the future. Topics include the use of utopic or apocalyptic visions in political discourse, human impact on the natural world and its flourishing or destruction, and the potential of technology to improve human lifeâ?"or to destroy it entirely. Primary readings range from radical Japanese feminism of the early 1900s to the 1954 film Godzilla. Critical readings will introduce ecocritical and post-human approaches to the world in which we live.Prerequisite: Sophomores only
JAPN301High Intermediate Japanese Language This course is the first level of the third-year Japanese language sequence, offering more advanced training in the four skills of speaking, listening, reading, and writing.Prerequisite: JAPN-203 or equivalent placement
JAPN302High Intermediate Japanese Language II This course is the second of the third-year Japanese language sequence, offering more advanced training in the four skills of speaking, listening, reading, and writing.Prerequisite: JAPN-301 or equivalent placement
JAPN401Advanced Japanese This class is an advanced level class. It is expected that students will have a strong base in Japanese grammar and the four language skills of Japanese: reading, writing, listening, and speaking, as well as aspects of Japanese culture and society.Prerequisite: Placement or at least six-month study abroad and permission.
JAPN593Senior Individualized Project Each program or department sets its own requirements for Senior Individualized Projects done in that department, including the range of acceptable projects, the required background of students doing projects, the format of the SIP, and the expected scope and depth of projects. See the Kalamazoo Curriculum -> Curriculum Details and Policies section of the Academic Catalog for more details.Prerequisite: Permission of department and SIP supervisor required.